Five Things I Learned from My Editor by K.C. Tansley

The-Girl-Who-Ignored-Ghosts11I’m honored to take part in the blog tour for The Girl Who Ignored Ghosts, a best selling young adult novel combining mystery, romance, ghosts, and time travel. If that sounds as good to you as it does to me, click on the cover to find out more about this exciting new novel.

Thank you K.C. Tansley for stopping by to share what you’ve learned on your publishing journey.

Five Things I Learned from My Editor
by K.C. Tansley 

1) Nothing is final until the book is actually in production

You will tear your book apart during editorial revisions. Major plot points will change. Entire chapters will go away. Scenes you spent years revising and polishing will get cut. You’ll move into line edits and think this is all about polishing and fine tuning, but some new things will still be laid down and old things will still be tinkered with. That’s the nature of revisions. Anything and everything can change right up until the final deadline.

2) What you thought was essential to the story may not be needed

There are so many things you needed to know to write the book. Unfortunately, you may have taken up valuable space on the page figuring them out. Sometimes scenes aren’t needed in the book. They might be useful to you as the author, but if they don’t advance the plot and develop the characters, they probably need to be cut. Even if they survived several rounds of revisions, if they interrupt the reader’s flow or the focus of the story, they should be cut.

3) You have to trust the people you work with

Your editor wants to make your book better. Believe that and it’s easier to swallow all the feedback. Especially when she asks you to rework the first 100 pages. It hurts. Your pride smarts. Your ego aches. Being critiqued is never easy. But know that everything she says comes from a place of wanting to get your book to readers and wanting them to have the best reading experience they can. Editors care about their books and their authors. Trust yours.

4) There are five stages of grief to an editorial letter

When you receive it, politely thank your editor so she knows you received it and let her know you plan to review it and respond with questions within five days. Then take three to five days and process it.

You need to privately go through the five stages of grief: denial, anger, bargaining, depression and acceptance. And by privately, I mean offline. Complain to your friends on the phone. Talk to your loved ones over dinner. Rally against it all verbally to your nearest and dearest. But never ever publicly or in writing. Because by day five you will see that most of your editor’s points are valid. And you will be so grateful to have her guiding you through this process. Feedback is always hard to process. Give yourself the time and space to do it.

5) Publishing is a tremendous amount of hurry up and wait

If you’re a planner, you will go nuts. Things are dropped on you with no warning and then (bam) the contract deadline ticks down on due dates. Editorial revisions in two months. Line edits in two weeks. It’s very hard to live your life when you can’t manage your work queue. My editor was great about giving me a heads up whenever she could. In return, I always stuck to my deadlines and stayed in touch with her. Communication is a two-way street. When you want someone to communicate, you have to make sure you’re giving that person information too.

About the Book: In The Girl Who Ignored Ghosts, prep school junior Kat Preston accidentally time travels to 1886 Connecticut, where she must share a body with a rebellious Victorian lady, prevent a gruesome wedding night murder, disprove a deadly family curse, and find a way back to her own time.

Bio: K.C. Tansley lives with her warrior lapdog, Emerson, on a hill somewhere in Connecticut. She tends to believe in the unbelievables—spells, ghosts, time travel—and writes about them. Never one to say no to a road trip, she’s climbed the Great Wall twice, hopped on the Sound of Music tour in Salzburg, and danced the night away in the dunes of Cape Hatteras. She loves the ocean and hates the sun, which makes for interesting beach days. The Girl Who Ignored Ghosts is the first book in her YA time-travel murder mystery series. As Kourtney Heintz, she also writes award winning cross-genre fiction for adults.

Social Media

K.C. Tansley WebsiteBlog / Facebook / Twitter / Goodreads

Blog Tour Stops

To learn more about K.C. Tansley and The Girl Who Ignored Ghosts, take a look at these blogs and articles:

“Five Ghostly Discoveries” featured on J.M. McDowell’s blog.

“Five Things From My Life That Trickled Into My World Building” featured on Fresh Fiction.

“Spell Casting and Ghosts: Researching The Girl Who Ignored Ghosts” on Harvesting Hecate.

“Five Things You Didn’t Know About Kat Preston” on Jill Weatherholt’s blog.

“Trope Twisting: Something Familiar But Different” on Small Press Reviews.

“Why I Wrote a Time Travel Novel” on Authors to Watch.

“Five Reasons The Girl Who Ignored Ghosts Should Make Your Summer Reading List” is scheduled to be published on 4 AM Writer’s blog this Saturday.

Writing, revising, and the magic in between

For most of this year, I’ve been revising a novel. With the encouragement of family and friends, I finished writing it around the end of January. I thought it might take a few months to revise. Instead, it took about a year.

It’s easy to get frustrated with revising. At first, it doesn’t seem as fun as writing. It can be a slow process and sometimes I’m not sure if all the revising makes the story better or worse. Sometimes I revise too much, to the point of excessive second guessing. I’ll change a sentence, then change it back, then change it again. That’s when the fun really begins.

So I was surprised to learn that revising can be just as fun as writing. I’ve gotten to know the story and the characters better this year. They did a few things they hadn’t done before, unexpected things that ended up strangely making sense.

One of the things I love about writing is when the words somehow fall into place and something comes through that wasn’t intended. It just works and it’s magic. That can happen with revising too. While deleting scenes or chunks and adding different ones in, I never know exactly what I’m doing. I only know as a reader when something doesn’t work. Then I tear it to pieces. Somehow the pieces fall back together. I still have no idea how that happens.

I’ve heard writers say they don’t feel like they’re the ones writing. When the writing is working, it does feel that way. So then when the writing or revising isn’t working, it’s probably just me interfering with the magic.

Because it’s magic, I can’t fully figure it out. I just have to try not to interfere with it too much.