Books as Traveling Companions

Barbara Kingsolver is one of my favorite authors so when the time came to choose a traveling companion for a trip to Arizona, I chose her words. Her novel Animal Dreams takes place in Arizona and her descriptions became the perfect background music.

Arizona canyonsI read this description while on the plane and couldn’t wait to get out there:

“The canyon walls rose straight up on either side of us, ranging from sunset orange to deep rust, mottled with purple. The sandstone had been carved by ice ages and polished by desert eons of sandpaper winds.”

canyon wall

Once I finally stood near the canyon walls, I made sure to notice the colors threading their way through the rock and all the layers representing centuries of creation.

After hiking up a steep path, ancient cliff dwellings came into view. From down below, the dwellings couldn’t be seen at all. They blended in with the canyon to the point of invisibility. Everyone figured they built their homes that way for protection against potential enemies. Later, I read this passage and saw the cliff dwellings all over again but in a different way:

“The walls were shaped to face the curved hole in the cliff, and the building blocks were cut from the same red rock that served as their foundation. I thought of what Loyd had told me about Pueblo architecture, whose object was to build a structure the earth could embrace.”

cliff dwellings

Tucked away in a crevice between the cliffs where sunlight acted as a calendar, petroglyphs told their own tales. They spoke of the people who lived there high above the ground, of hunting parties, and of women with Princess Leia hairdos.

petroglyphs

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Kingsolver describes petroglyphs as a record of progress through the generations:

“There were antelope, snakes, and ducks in a line like a carnival shooting gallery. And humans: oddly turtle-shaped, with their arms out and fingers splayed as if in surrender or utter surprise. The petroglyphs added in recent centuries showed more svelte, self-assured men riding horses. The march of human progress seemed mainly a matter of getting over that initial shock of being here.”

Now that I’m back home, I can revisit the red rock canyons any time with a turn of the page.

(And the Twitter goat club will be happy to hear there’s a goat in Animal Dreams.)

Related Post:
Writer…Uninterrupted – during Vacation

Do you choose novels based on setting? Have you ever taken a favorite author along on vacation? 

Author Interview: Kourtney Heintz

sixtraincoverJust in time for Valentine’s Day, Kourtney Heintz is stopping by to talk about her novel, The Six Train to Wisconsin.

Six Train is such a classic love story. Did you set out to write a novel like that or is that how it evolved?  

Thank you Sheila! It was very intentional. I wanted to write a love story I could relate to. No idealized hero and heroine who live happily ever after. For me finding someone isn’t the journey. Staying together, growing into each other, and dealing with the times you aren’t connecting – that’s what love is about. I wanted to write about people who have good intentions and sometimes make bad choices. I wanted to play with all the gray in relationships and capture what it’s really like to find love and to keep it.

Where did the idea for your novel come from?

The telepathy aspect came from thinking about how great it would be to read someone’s mind and realizing how much more complicated a relationship would become.

The central core of the story is about what you would do for the person you love. What a husband will do for his wife and what she will do for him. The book begins with Oliver as the caregiver and Kai as the care needer – this came from my experience with a back injury. I wanted to take all that pain and use it for something. To tell the story of what it is like to be on both sides of an injury – the caregiver and the care needer.

Do you think telepathy is possible?

Believing in the unbelievables is my tag line on my blog and my website. And I do. I think it’s all possible. I’ve had lots of woo-woo experiences and know people who also had them. I think there is so much beyond our five senses. I’ve never met a telepath, but I like to live in a world where that is possible.

I couldn’t help thinking that the colorful aunt in your novel sounded like Grandma H. What does she think of that character?

She is actually a bit from Grandma H’s sister, Julia, who always wore floral and paisley print dresses when I was a kid.

Unfortunately, we may never know. Grandma H is a niche reader. She only reads non-fiction. Specifically biographies or autobiographies. Usually of president’s wives or movie stars. So she hasn’t read the book. She did buy two copies though, so she is very supportive. 🙂

What made you decide to go the indie route?

I spent one and a half years pitching agents at conferences and sending out queries. I received a good amount of full manuscript requests and personalized rejections. Even got a revise and resubmit two-page editorial style letter from my dream agent at my dream agency. But we had a different vision for the opening and it didn’t work out.

Most of my feedback centered around great writing, but not sure how to sell it. That told me this was a book that might do best in the indie market. I also had a very specific vision for this book down to the cover and the formatting of the chapters. I felt like this was something I needed to bring to market myself.

IMG_0891Kourtney Heintz resides in Connecticut with her warrior lapdog, Emerson, her supportive parents and three quirky golden retrievers. She dreams of one day owning a log cabin on Butternut Lake. Years of working on Wall Street provided the perfect backdrop for her imagination to run amuck at night, imagining a world where out-of-control telepathy and buried secrets collide. 

Her debut novel, The Six Train to Wisconsin, is a 2014 EPIC Ebook Awards Finalist, a 2013 USA Best Book Awards Finalist and a 2012 Amazon Breakthrough Novel Award Semifinalist.

You can connect with Kourtney through her blog, Facebook, or Twitter.

Where to buy: The Six Train to Wisconsin can be purchased through Amazon, Barnes & Noble, Smashwords, or iTunes.

Author Interview: Britt Skrabanek

Britt Skrabanek and Downtown MilwaukeeI’m excited to introduce Britt Skrabanek, author of Beneath the Satin Gloves and Everything’s Not Bigger. Thank you for trudging through the snow to visit and for bringing Aphrodite and Hazel, your cat editing team. I’m sure they’ll help keep us warm while we talk. 

I loved your descriptions of Berlin in Beneath the Satin Gloves. Have you lived there?

One summer in college I studied abroad in a sleepy town near Stuttgart, then my husband and I traveled to Berlin a few years after that. People were surprised we were only going to Berlin for ten days and blatantly encouraged us to do the usual tourist fail. You know the one – trying to squeeze in the entire continent of Europe, never stopping to absorb the experience. That’s not our thing at all, so we scooped up an apartment in former East Berlin and lived there for a bit. I had started Beneath the Satin Gloves right before we left, so being there fueled my creativity. Berlin is not a pretty city in the usual sense, but her scars and stories, the way she not only survived but evolved, is insanely beautiful to me.

Beneath the Satin Gloves coverYou also described a restless night and powerful dreams perfectly. Do you sleepwalk or wake up in strange locations like the closet often?

The intensity of my dreams has been a gift and a curse throughout my life. The gift being the creative inspiration. The curse being the bruises. Of course there are some memorable sleepwalking stories, like waking up in closets or the time I sprinted across our loft in Dallas, blanket in tow as my cape. My husband chucked a pillow at me, I woke up in a crouched fighting position, bewildered and buried underneath a blanket, then I laughed my ass off. Now I don’t really have any episodes. Yoga, meditation, and a tiny bedroom with nowhere to run are real lifesavers.

Using your blanket as a cape sounds like fun, but it would be scary to suddenly wake up like that. Beneath the Satin Gloves also mentions the possibility of past lives. Do you believe in past lives?

And, this is where I freak people out. That is, if they’re still reading after the sleepwalking reveal from earlier. To the outsider I’m a skeptical person, but I love the romanticism of past lives. To think that our natural tendencies, skills, and talents aren’t just learned but instilled from another life we once lead is a fascinating concept to chew on. For as long as I can remember I’ve been obsessed with spies, which is not a girly thing (so I’ve been told). In addition, I have these strange survival reflexes. One time I almost hit my husband over the head with a dinner tray when he came in through the front door and I thought he was on the balcony. I didn’t think twice about protecting us at all costs, even if that meant sacrificing a dinner tray. In other words, please don’t ever sneak up on me.

What do you love about the time period shown in your novel?

I’ve been a World War II junkie all of my life, since I first read The Diary of Anne Frank, a story that really resonated with me when I was a young girl about her age, and also a writer. Being a hippie at heart, my fascination with WWII often confuses people I meet. However my interest in this war doesn’t revolve around the militaristic aspect, but the human one. It was a turning point in history, when the world became a much smaller place, when atrocities and destruction almost overshadowed our existence. The stories of bravery and unity during this time continue to astound me. And on a lighter note, 1940s music and fashion are exquisite in my eyes. This was the final era before advertising and technology invaded, but somehow the world was in sync, looking dapper and swaying to jazzy tunes. Despite the war, I feel it was an eloquently sensual time.

It’s great that you were able to work that music into the novel with Alina as a lounge singer and a spy. One part that made me smile was your reference to “Who Framed Roger Rabbit?” What are some of your other favorite movies?

I was always a fan of Jessica Rabbit, which is why Alina takes after her so much. Looks and smarts…lethal combination. When she said: “I’m not bad. I’m just drawn that way.” Yeah, that’s a brilliant line. As much as I love books, I’ve equally been captivated by films. Perhaps it’s the Southern California girl in me or the passion my dad always had for films, but I just love them and feel they have impacted me greatly as a writer. In the WWII genre, and a big influence on Beneath the Satin Gloves, I would have to say Shining Through with Melanie Griffith and Michael Douglas. And on the foreign front, Black Book, a dutch film about a lounge singing spy. I can go on and on, but Lost in Translation is probably one of my favorite movies ever. I can watch it over and over without getting tired of it. Otherwise anything by Woody Allen, Quentin Tarantino, or Cameron Crowe. Also, Audrey Hepburn movies make me obscenely happy.

 Everything's Not Bigger coverYour second book, Everythings Not Bigger, takes place in Texas and Prague. What gave you the idea for that novel?

Um, my life. Just kidding, I was never in the witness protection…or was I? Everything’s Not Bigger is a huge departure from my first book, and possibly the only modern day novel I will ever write. My second book, rather than a form of entertainment, was more like therapy for me. Though I spent most of my life as a California girl, I was born in Texas and visited family there every year until eventually living in Dallas for seven years. I’m half Czech, my grandmother was from there, and that’s where my unpronounceable last name stems from. For Jaye in Everything’s Not Bigger, she is a young woman who gets caught up in a bad situation and ends up in the witness protection program. She struggles to find herself, to piece her life back together. Ditching the fabricated life she’s trying to lead by venturing off to Prague is how she returns to herself. No matter where our lives take us, I strongly believe it is important to remember where we came from. Our roots are vital during self-exploration and if we acknowledge our pasts instead of conveniently sweeping them under a rug, we can grow into better versions of ourselves.

What are you working on now?

The Bra Game, a throwback American romp which takes place in Chicago during 1954. I love buying vintage fashion and made an incredible discovery after purchasing a handbag here in Milwaukee a couple of years ago. Hidden in the folds of the interior were two baseball tickets from 1954 and a voting receipt with a shopping list on the back that read: chocolate, fly swatter, shoes, film, loan. For a history lover like myself, this was comparable to opening a treasure chest. My imagination went into overdrive, picturing three distinct women who might have owned the handbag during that time. Because of the baseball tickets, I decided these women would have played in the All American Girls Baseball League during WWII and the story would follow their lives after the league disintegrated, when the boys came home and the women were expected to return to making pies and babies. Call this one a deeper, sexier A League of Their Own. (Shameless plug…The Bra Game releases Spring 2014.)

I’m already excited to read it. What made you decide to go the indie route?

You know, I tried the traditional route for a bit with Beneath the Satin Gloves. I came close to landing a big-time agent in New York, but then he tossed me aside. After countless rejections I pretty much said…to hell with this! The indie author movement was on the rise and I felt like it was the right fit for me. Is it hard work to market yourself and pave your own way? You bet your ass it is. But to have complete artistic control, to provide an organic work of fiction, whether it be imperfect or swimming against the mainstream, is something I am proud to be a part of. Am I making a living as an indie? No, not yet. But I have hope that one day I will.

Any other advice for writers out there?

Do it for the love. Nobody else will ever feel the way that you do about your words. Not your best friend, not your spouse, not your mom. Know that you are a writer if you write, not just when you finish a book or get paid for it. And know that there is no pot of gold at the end of the writing rainbow, whether you put one book out there, or a hundred. As long as you stick with your true passion for writing, you’ll be just fine. I’ll say it again. Do it for the love.

Connect with Britt through her blog A Physical Perspective, Facebook, or Twitter.